Released in 2007, “The Shock Doctrine: The Rise of Disaster Capitalism”, bestselling book of the canadian writer and columnist Naomi Klein, has been the starting point of already two films. A short documentary promoting the book release and conducted by the mexican director Jonás Cuarón (watch below). The UK film by the famous director of “24 Hour Party People”, Michael Winterbottom, that was premiered at the 2009 Berlin Film Festival.
Now, two months after Michael Moore’s new movie “Capitalism: A love story”, british director Euan Preston is releasing on DVD a third attempt: a recorded lecture of Naomi Klein. ”The Rise of Disaster Capitalism” features Naomi Klein (also the author of “No Logo” and “Fences and Windows”) explaining the ideas and research behind her theory of the Shock Doctrine.
Making the analogy of electroconvulsive therapy (also known as electroshock) used to cure schizophrenia in the 40′s, and what she calls now the “Shock Doctors”, basicaly men of power “shoking” the masses, she’s making pretty clear that these technics used on human beings may also work on societies.
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The originators of Lo-fi must have been be guided by voices.
le 24 octobre 2009, Clément Mathon
Robert Pullard, the frontman of the 80′s Ohio indie band Guided by Voices has givien away personnal footages to edit the ultimate Guided By Voices DVD, coming out this November. The trailer below is probably the cheapest one of its kind. Lofi as always.
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This could have saved us precious hours of hard labor building the drone.
le 24 octobre 2009, Clément Mathon
Massive layoff wave coming up in the typographe branch!
Laika (the name of the first russian space dog) is the bachelor thesis project of the two germans Michael Flückiger and Nicolas Kunz that allows you to make font dynamic. Try it out here.
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Today people would probably call 911 to report a terrorist threat for this.
le 22 octobre 2009, Clément Mathon
In the early 80′s in the UK, while Depche Mode and The Cure marry blackness for better or for worst with “New Wave”, the New York “No Wave” scene seemed to involve a much wilder scale of art types.
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